Mick Drewry

Mick went to Chaucer Comprehensive School and left without any qualifications. His working life went from making nuts and bolts at a factory in Stannington, through various steel works and engineering companies. At British Steel Corporation’s Tinsley Park Works he became active in the Transport and General Workers Union, chairing the branch during the three month long national steel strike. When the works closed in 1985 he went back to education at Shirecliffe College, gaining a City & Guilds certificate with a distinction for his course work and went on to Northern College, Barnsley, to do a two year Diploma course in trade union and industrial studies, then on to Sheffield Hallam University where he gained a BA (Hons) degree in Social & Cultural Studies.

    It was whilst volunteering at the Hillsborough Community Development Trust, that he edited two 1980s local history group books into a single volume with a view to getting it published to raise funds for the Trust. The Complete Hillsborough by Her People was eventually published in 2006.  In 2010 he retired from his last job as a Community Development Worker for Barnsley MBC. He now lives in Dunford Bridge.

    He is currently finalising his third book on the Sheffield riots of the 18th and 19th centuries.


The story of the Sheffield Outrages is a significant and important aspect of Sheffield's social history: a time anonymous threatening letters, hamstrung horses, arson attacks, beatings, rattenings, bombings, shootings and murders in order to defend rights of workers. This telling of story of the story is not just about the infamy of William Broadhead and the saw grinders, but a way of life in 19th century Sheffield, conflict between hard-working skilled men and their exploitative masters, and a time of transition in industrial relations and the development of trade unionism.


Inundation captures the heartbreak, death and destruction the huge wall of water caused when Dale Dyke dam ruptured in the early hours of Saturday 12th March 1864. The book is very well illustrated throughout and includes things like contemporary  correspondence between an eleven-year-old and her grandmother about that  fateful night.